What I found completely enchanting was Cameron Anderson's set design. Very simple but quite dashing in its visual appeal, beginning with the Cafe da Ponte at the beginning to the hot pink and almost garish blue for Fiordiligi and Dorabella's house in Naples and the garden of the last act in which the high "bushes," providing handy exits and entrances, resemble a Richard Serra sculpture, in a rococo mood, wrapped a la Christo. All quite delicious and amusing.