Praise for A Midsummer Night’s Dream, South Coast Rep

But the real star is Cameron Anderson’s intense yet functional set, which begins as a huge white expanse before taking us on a whirl down into the center of the Earth, leaving a gorgeous wooded path and, at times, a wooden flying boat out of the imaginary world of Wynken, Blyken and Nod. This stunning set is all the more remarkable as it depends simply on old-fashioned stage rigging rather than show-off hydraulics.

- LA Weekly

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