News

Cameron is the new resident set designer at the Academy of Vocal Arts in Philadelphia! Three shows this season: Faust, Cosi Fan Tutte, and L’Amico Fritz!

Open Stage Books with The Scenographer has published a book about my work! Read more and purchase at the: The Scenographer .

Cameron recently expanded into design for the music industry and designed Charlie Puth’s North American and International tour in 2023 with famed creative director and chorepgrapher JaQuel Knight (Beyoncé, Megan the Stallion) which sold out Radio City Music Hall and venues all over the US and Asia.

Cameron will open the musical version of the national best seller children’s book series The Cat Kid Comic Club at the Lucille Lortel Theater this summer, and then the show will go on a national tour - directed by Marlo Hunter.

Cameron will design Handel’s Semele, directed by Tara Faircloth, for Wolf Trap Opera this summer!

R.U.R. : A Torrent of Light won six Doras (the most for any production)! Including Outstanding Production!

Open Stage Books with The Scenographer is going to publish a book about my work! Read more at the The Scenographer .

Cameron was nominated for Outstanding Achievement in Design DORA award for her set design for R.U.R: A Torrent of Light at Tapestry Opera!

Cameron is designing a world premiere opera, RUR A Torrent of Light, composed by Nicole Lizée, and directed by Michael Mori at the Tapestry Opera in Toronto, Canada, opening in May 2022 - and traveling to the PUSH festival in Vancouver in January 2023.

Cameron will design the world premier of the opera The Leopard, directed by Jeffrey Buchman, produced by The Frost School of Music at South Miami Dade Cultural Arts Center in February 2022.

Cameron will design Cost Fan Tutte at The Curtis School of Music in Philadelphia, directed by Eve Summer, opening February 2022.

Cameron will be a design consultant on a production of the first act of Die Walküre at The New Orleans Opera, directed by Sarah Meyers, opening in November 2021.

Glory Denied opened to rave reviews! “Stage director Sarah Meyers’ vision for Glory Denied was given shape by the ingenious triangular set conceived by Cameron Anderson.” Read the full review here.

Glory Denied opens this weekend at the Berkshire Opera Festival, directed by Sarah Meyers. Info here: https://www.berkshireoperafestival.org/glory-denied

Our virtual production of The Niceties produced by The Manhattan Theater Club and The Huntington starts streaming May 27th! - info here: https://www.manhattantheatreclub.com and https://www.huntingtontheatre.org/niceties/

Cameron’s new production of Tobias Picker’s Emmeline at Tulsa Opera, with Tara Faircloth directing, has been rescheduled for Feb 2022! Info here: https://tulsaopera.com/season/2019-20-season/emmeline/press-kit/.

Cameron will design Glory Denied in July of 2021 at Berkshire Opera Festival, directed by Sarah Meyers. Info here: https://www.berkshireoperafestival.org/glory-denied

Cameron’s design for Sweat at The Huntington was nominated for an Elliot Norton Award. Click here for the press release! Awards ceremony will be streamed live May 11th at 7 pm here.

Cameron’s new production of La Bohème for Wolf Trap Opera directed by Crystal Manich has been posponed due to Covid.

Yerma, directed by Melia Bensussen at the Huntington Theater Company has opened to rave reviews!

Byhalia, Mississippi opened at The Kennedy Center in June, directed by Kimberly Senior.

Feature article on Cameron Anderson's design process at Opera Saratoga.

The Niceties, a co-pro between The Huntington Theater Company and the McCarter Theater, will have its Off-Broadway premiere at the Manhattan Theater Club in October.

Cameron has been hired to design the premiere of The Niceties by Eleanor Burgess, directed by Kimberly Senior, at both the Huntington Theater and the McCarter Theater.

Cameron will return to Italy in May to design a site-specific production of Clorilli, a newly discovered Renaissance play by Leonora Bernardi on the New York University campus.

Cameron Anderson spent the month of April as a Visiting Artist at the American Academy in Rome designing a site-specific theatrical installation based on Puccini's Tosca. The project will investigate opera and gender, and audiences will progress though the streets of Rome to each location to experience the piece.

Cameron gave talks on her project and her work in Italian at the Universita' di Roma III and the Opera Academy of Verona. She also gave a talk at New York University's Florence program.

Cameron’s design for A Midsummer Night’s Dream was featured in a cover story in the LA Times :